Matisse - Reinvention

Yesterday, after a lovely and unexpectedly gourmet lunch at the new cafe' in the modern wign of the Art Institute, I slowly wended my way around the new Matisse exhibit. It took a bit over an hour, even with careful reading of each of the wall descriptions, and close observation of each of the larger paintings that I learned had been reworked and scraped and repainted and re thought so many times. That was the fascinating part - that, and the fact that this watershed period of Matisse's life as a painter occurred during a wartime period when art was probably the most difficult to accomplish - what with moving, and shortages of necessities, and such.

In one room, there wss a display of small drawings - portraits - that Matisse had sold during that period to make a living.

But the largest part of the exhibit was the display of how he moved from bright color and somewhat greater representation in his art, to just a few colors, and different methods, drawing on Cubism but never actually going that direction, including the reworking of a painting, or a sculpture, or doing it over and over on different canvases, during that period of 1913 to 1917 until he felt it was not exactly "right", perhaps, but at least more "right" than it had been several iterations earlier - witness up close the extra layers of paint taking away - deleting portions of a face, changing the outer dimensions to render it a bit more abstract - or in one case, the scraping away of long curved lines of the dark paint to create white curved lines emanating from and around the figure which melded with and enhanced the figure.

I did not buy the book - $45 for just the paperback vedrsion - but I am rethinking that. I just read online that the book is very unusual in the care with which it describes this entire metamorphosis.

It also shows the xrays of the paintings, to truly see the various stages of development and redevelopment.

I will go back to the exhibit and see the x ray evidence in the one room I missed - the hands on information room that apparently accompanies the exhibit. It was 5:00 , I had entered at about 10 minutes to 4:00 , and the museum closed at 5:00. But I'm a member, it is two bl0ocks away, and there is no reason that I should not revisit it a couple of times.

From here, it will go to the MOMA in July.

I think I need to write an article about this exhibit, from the standpoint of someone who is far from an expert - who, in fact, had never known very much at all about Matisse previously. I had to read one of Arnie Greenberg's articles in Bonjour Paris to get some background (and purchase a small $5.00 book in the gift shop and read it during my meal) so that I had at least some background.

Nevertheless, the exhibit was not just an exhibit, and not just the kind of learning experience that such art exhibits always are, but a very different learning experiend - one in which I really was fascinated each step of the way, and had not desire at all (as I often do) to skip any part of either the art on display, or the explanatory material on the walls.